Beneath the glow of green and blue spotlights, the room transforms real into a canvas of monsoon’s many moods.
Artwork line the walls, every taking pictures a story — from a metropolis so soaking wet in rain it feels as whether it is a ways liable to be wrung dry, to the subtle kiss of sunlight breaking by draw of stormy skies. Amidst these intellectual depictions, one reality emerges: monsoon is no longer merely a season; it is a ways a poet with loads of verses to piece.
These art work are displayed in Gallery The Illusion’s exhibition, ‘Srabon Ronge’, which comprises the works of 10 artists. The exhibition opened on 15 November and used to be scheduled to end on 23 November, however used to be extended for 2 extra days. The venue is originate for all from 11am to 11pm.
Curator Karu Titas shortlisted artists whose works focal point on nature.
While rain and monsoon run hand in hand, the curator encouraged the artists to bring out their interpretations of the season.
That is why, you may well stumble upon art work that stand out, akin to depictions of tepa putul in ‘Matir Manush’ and drawings of faces acting melancholic in ‘Bishad’. Even below one theme, there’s a critical form of art work.
It’s impossible to focus on the thought that of Srabon with out addressing the months of July and August. In spite of all the pieces, that is when the exhibition used to be on the origin scheduled for. Nonetheless, attributable to the turmoil for the interval of these months, the exhibition used to be postponed.
The sector is by no draw with out its troubles, yet art offers an win away — a 2nd to step away from actuality or, now and then, to relive it. This exhibition firmly belongs to the mature, providing a sanctuary from life’s burdens.
“Now, terror has taken over, so it is a ways understandable if of us have temporarily misplaced their passion in the microscopic joys akin to art. However we are peaceable making an strive to support of us win solace in art by draw of our exhibition,” commented Titas.
The art feels treasure a solace for folk combating the day after day worries of life. The wintry tones of the rainy season peaceable down the eyes whereas filling viewers treasure myself with a longing to explore nature.
I retain revisiting one amongst the objects, titled ‘Water Lily’, by Rotneshwar Sutradhar. The ways outdated faculty by the artist arrange to operate a share that makes you watched you may well perhaps probably be having a see at a pond where lilies are sexy. The painting holds a strategy of serenity that makes it onerous to search away.
The curator succeeds at constructing an extraordinarily most attractive balance of art work. Little and immense canvases weren’t shoved onto the walls, barely they were unfold out in the kind of manner that does no longer overwhelm the senses.
“I didn’t need the room to overflow with art work, I needed the eye to remain on the few objects displayed. The artists handed over rather a lot of art work however I handiest saved four from every artist,” shared Titas.
With the gallery’s atmosphere and the character-inspired art work surrounding you, the exhibition offers a respite from life’s stresses, allowing viewers to reconnect with their interior peace.
TBS Picks
Gunjori by Mukti Bhoumik
Medium: Acrylic on canvas
The curator mentions how the colors of nature fully swap for the interval of the monsoon, and that rings appropriate for this painting. The proportion depicts a dragonfly touchdown on grass. The droplets of water on the blade of grass and the insect’s wings label the eye to allege and tie it in with the exhibition’s theme.
Water Lily by Rotneshwar Sutradhar
Medium: Acrylic on canvas
The painting depicts a pond stuffed with sexy water lilies. The artist makes exercise of various ways, constructing the gentle backdrop of the pond’s water, reflecting the sunlight. Atop it, the water lilies are created with stamping brush strokes, keeping apart it from the pond fully. The midday gentle reflected off the pond instils a sense of serenity.
Tune of Ancient Dhaka by M M Maksud Biplob
Medium: Watercolour on paper
The artist, on the origin an architect, brings his canvas to life with an image of Dhaka on a rainy day. You might perhaps perhaps nearly hear the sounds of wheels shifting over puddles in the bustling image. Yet, the artist manages to tone down the chaos of the image by the usage of contrasting hues — blue for the wet roads and very most attractive shades of yellow take over the buildings and autos.
Shyamo Gombhir Horoshey by Al-Akhir Sarkar
Medium: Watercolour on paper
The painting stands out from the support on sage of it does no longer strive to basically feel composed. It’s stuffed with energy, dropped at life by draw of its interesting and spontaneous brushstrokes. The speckles of green are overlapped by yellow and bits of red, which bring warmth to the colour palette, and add to the entertaining genuinely feel of the painting.
